How is krypton destroyed in man of steel

In the newer continuity, Superman also only became aware of his alien heritage sometime after his debut as a superhero , when a holographic program encoded into the craft which brought him to Earth uploaded the information into his brain. In a late s storyline, Superman traveled to the former site of Krypton to discover that the planet was slowly reforming from the vast sphere of debris remaining.

However, it would take millions of years before the planet would be solid again. This sphere of debris had been turned to Kryptonite by the planet's destruction, and the radiation causes Superman to have a hallucination concerning an alternate scenario in which the entire population of Krypton comes to Earth.

In the s comic series Starman , Jack Knight became lost in time and space, landed on Krypton several years before its destruction, and met Jor-El as a young man. The story boldly implies that it was this early meeting with a Terran that led Jor-El to study other worlds, and eventually choose Earth as the target for his son's spacecraft.

In an early s storyline, an artificial version of the pre- Crisis Krypton was created in the Phantom Zone by Brainiac , a descendant of the original Brainiac who had traveled back in time to the present. It was stated to have been based on Jor-El 's favorite Kryptonian historical period. In the miniseries Superman: Birthright , a new retelling of Superman 's origin and early years, Mark Waid depicted a Krypton, officially stated as being located in the Andromeda Galaxy 6 million light years away, with elements of various versions of the planet, but closer to the pre- Crisis version.

It was later implied that the time-bending adventure in Superman v2, and Infinite Crisis had rewritten history so this was now the "official" version, and later stories have held to Birthright as being the official current version of Superman 's origin. Waid also made use of Superman 's "S"-shield in his version of Krypton. While in previous comic versions of the mythos, it was assumed the "S" simply stood for "Superman"; in Birthright , Waid presented the symbol as a Kryptonian symbol of hope borrowing and modifying a concept from Superman: The Movie.

DC 's mandate for Superman being Krypton's only survivor changed as well. Superboy's origins were retconned later revealing that he was the cloned son of Superman and Lex Luthor making him half kryptonian. The series reversed a lot of John Byrne 's decisions from The Man of Steel to reflect the more Silver Age -oriented version of Superman , similar to Smallville television series and Superman movies. However, a current storyline co-written by Geoff Johns and Superman director Richard Donner presents yet another version of Krypton which reintroduces the General Zod and the Phantom Zone criminals into mainstream continuity.

With art by Adam Kubert , the design of Kryptonian society is distinct yet again from Birthright , incorporating elements of both pre- Crisis on Infinite Earths continuity and Donner's work on the first two Christopher Reeve films, in particular the notion of Krypton's Council threatening Jor-El with harsh punishment were he to make public his predictions of their planet's imminent doom. Whether this further revision of continuity has an in-universe rationale is as yet unknown, but it may stem from continuity changes wrought by the reality-fracturing conclusion of Infinite Crisis.

The first non-comics version of Krypton was presented in the debut storyline of the s Superman radio series. Krypton was very briefly depicted in the first Fleischer Studios-produced Superman cartoon in the early s as "a planet that burned like a green star in the distant heavens [and where] civilization was far advanced and it brought forth a race of Supermen whose mental and physical powers were developed to the absolute peak of human perfection", implying that all Kryptonians had Superman's abilities even on their own planet.

The planet is seen only from a distance. In Superman: The Animated Series , "The Last Son of Krypton", the first part of a three-part pilot episode, depicts Krypton as being basically similar to the pre- Crisis version it was scientifically advanced, Kal-El appeared to be about two-years-old as in the Silver Age comics, there are depictions of peculiar animals although with elements of the John Byrne version such as the appearance of the characters' wardrobe.

Krypton's climate is shown to have both temperate and Arctic conditions. According to commentary on the DVD collection for the show's first season, part of Krypton's appearance was influenced by the artistic style of American comic book artist Jack Kirby. This version depicted the villain Brainiac indirectly destroying Krypton through a massive sin of omission and even deception , as the care taking program for the planet. Later episodes have dealt with this issue.

With the release of the first feature-length Superman movie in , a vastly less idyllic image of Krypton, compared to the previous comics' versions, was presented. Whereas in the comics, Krypton was colorful and bright, in Superman: The Movie , the planet was envisioned as having stark white terrain of jagged frozen plateaus, stretching broadly under heavy, dark skies.

Kryptonians themselves were portrayed as being a coolly cerebral society, clad in stark white, and treading halls of jet black under crystalline arches. The crystalline motif was employed not only in the architecture, but in the landscape and technology as well, suggesting that the entire planet had been adapted and altered by Kryptonian influence. Krypton was ultimately destroyed when its star began to collapse; the planet was pulled into the sun and ripped apart, then incinerated when the star went supernova.

This version of Krypton was to have a strong influence on John Byrne 's re-imagining of the world. However, the film's Krypton was still presented as having a society "better" than Earth 's, unlike the Krypton that Byrne envisioned.

For instance, there was no death penalty on Krypton because almost all criminals were rehabilitated the ones that were not or were beyond rehabilitation such as General Zod were banished to the Phantom Zone. Superman himself thought very highly of the planet and was proud to have come from there.

Also, in this version of the story, both Jor-El and Lara preserve some part of their essence in the starship that brings their child to Earth , so that on Clark Kent 's eighteenth birthday, Jor-El appears to him within the Fortress of Solitude and initiates twelve years of Kryptonian education for the youth, and both remain as constructs within the Fortress until it is ransacked by Lex Luthor see below.

The origin of Superman 's symbol is given a Kryptonian origin in the film as Mark Waid 's Superman: Birthright would years later. Male Kryptonians are shown wearing unique symbols on the chests of their robes, similar to a family crest ; Jor-El and Kal-El after him wear the familiar S-shield, which Lois Lane later assumes to be the letter 'S' from the familiar Latin alphabet , and thus dubs him 'Superman'.

The idea for Jor-El to have the symbol was suggested by actor Marlon Brando , who portrayed Jor-El in the movie, and eventually was retconned into the comics continuity as being the crest of the House of El, which both Superman and Kara Zor-El are part of.

Though they possessed highly advanced technology, this version's Kryptonians were more loving than John Byrne 's Man of Steel version. The television series Smallville presents a version of Krypton that borrows elements from the movie version of the planet.

In the beginning of the film, scientists discover remains of Krypton, and Superman leaves Earth for five years to look for it. His ship is seen leaving the dead planet. In the shooting script for the film under the production title "Red Son", Lex Luthor reveals to a weakened Superman that his henchman actually set Superman up to space by sending false signals.

During the beginning, we see the city where Kal-El was born including the famous white dome that housed the trial of General Zod , Ursa , and Non , then as to replicate the lift-off, other cities can be seen on the night side and then finally the planet's destruction by a supernova of its red supergiant sun. In the new movie, Kryptonian crystals are able to grow huge land masses and incorporate the properties of the surrounding environment; a sliver taken from of one of the crystals used to test the theory causes Lex Luthor 's basement to be filled with a huge crystal structure.

Growing land in this manner causes widespread power failure in the vicinity, inadvertently causing the emergency involving a space-shuttle and an air-liner which acts as Superman's triumphant return. When he later returns to the Fortress of Solitude to find that the technology crystals that powered it have been stolen, Superman is visibly enraged.

Lex Luthor later combines one of the crystals with kryptonite and shoots it into the ocean, creating what he calls "New Krypton". After being stabbed and falling into the sea, Superman uses his heat vision to get under the crust of the island and he then throws it into space.

Bryan Singer has stated that the "New Krypton" island may return in the sequel. Superman Wiki Explore. Superman as a father LL Superman's beard Superman's deaths more lists. Editing Help Coverage Guidelines Community. Explore Wikis Community Central. Register Don't have an account? Edit this page.

Their path is set, he continues: "They will fight to keep their way of life," regardless of the consequences. Apsa alludes to some "personal history" that may cloud Zaar's attitude towards Kryptonians, but, notably, he also addresses his argument. He says, first, that Kryptonians "have not acted toward anyone with aggression" and that "Krypton must be allowed to rise and fall on their own.

Prev 1 2 3. The civilians were saved, but Clark had killed the only remaining member of his species. Struck with grief, he fell to his knees and screamed out in emotional pain. As Clark, he snagged himself a reporter position at the Daily Planet so he can keep an ear out for anything unusual and go to dangerous areas without anyone batting an eye. With a few exceptions, Superman in the comics and other media is against taking another life, but Snyder and company believed that it was necessary to explain what he had this aversion, even when it comes to genocidal maniacs.

As Snyder says, "Either he's going to see [Metropolis' citizens] chopped in half, or he's gotta do what he's gotta do. In other words, killing someone who is not only equal in power levels but the only other remaining member of your species was a painful necessity to save lives.

Goyer wrote the scene and gave it to Nolan, he reportedly changed his mind. Four months after Man of Steel was released, screenplay writer David S. Goyer also spoke up about the controversial ending, which plenty of people were still talking about. Goyer said that he knew ahead of time the scene was going to be controversial.

Like Snyder, he said that they wanted to put Superman in an impossible situation: to save the lives of his adopted species, he would need to kill the only other Kryptonian left. Goyer also compared the grittier take on Superman to the success of the Dark Knight trilogy.